Ask us
anything.

Two published monthly fees — $2,000 for one discipline, $4,000 for the full content and findability loop — or a tailored fee priced to your revenue target on the first call, out loud, before any contract exists. Advertising spend is separate. If the maths does not work for you, we will say so and point you somewhere cheaper.

Work in week one. Numbers by week four. We publish the check-in cadence in the contract, and a month with nothing to point at is treated as a failure — ours, not yours.

Every figure we report names its client and carries a receipt. The Gallery gets $5.20–$6 back per $1 of ad spend, every campaign to July 2026. That is published, not claimed — and where a number is not measured yet, the page says pending rather than guessing.

Sometimes, elsewhere. Here it is a typist with perfect stamina: 1,250 auction listings written from photographs, 400+ hours returned to a real team, every listing checked by a person. The machine does volume; people do judgement.

Thirty days’ notice. You keep everything we made — files, accounts, ad history, the lot. If the work does not hold you, a clause should not have to.

The Poster Project had 811 followers at the time and reached 2.2M views in ninety days, 80% of it organic. The Gallery is a family business. Small means the founder is in the room and decisions happen the same day — we actively prefer it.

The people in the studio photograph. There is no account layer and no handoff to someone junior at signature. When you call, a person who touched your work answers — that is structural, not a promise.

Because we drifted from how agencies are supposed to run — the theatre, the bloat, the invented metrics — and kept only the craft. The name is the pitch; the site is the evidence.

Yes — it is how we work. Drifted's team is in Karachi and works the New York business day, so you message during your day and hear back during your day. You never wait for Karachi to wake up, and the calls sit in your calendar, not ours.

We do. Drifted builds custom AI apps scoped to one business's real workload. Ehsaan, a person-to-person thrift marketplace app for Pakistan, reached its first build in 23 prompts; the listing platform we built for Frank Zoller Authentic History writes auction listings from photographs and has saved 400+ hours. How a tool earns is decided before any code is written.

Yes. The team keeps New York hours from Karachi, so a US brand gets a same-day partner rather than an overnight one. In the United States we work with Frank Zoller Authentic History and the Gettysburg Museum of History; in Pakistan, with The Gallery, a personalised newborn brand.

Thirty minutes, no deck. You bring the number you need to hit and the date; we tell you on the call whether we can, what it would cost and what we would do first. If the answer is no, you hear that too, along with where we would go instead.